Reason number one - I'm super hot. And I'm gonna give you a bunch of reasons why I lo-ove me. Cause now I'm taken by myself. I really think you need some help.
Justice is a smooth (sometimes too smooth) album about the work love requires, and the most mature thing in Bieber’s catalogue.If I was your boyfriend, Id never let you go. Exhibit A: The moment the heady rush of. Yes, the Smiths can kick ass. The Smiths 'The Queen Is Dead'. Reason number three - I'm all I got and all I got is someone hot.The devil will find work for idle hands to do, but Marr is certainly safe on this one.
Changes, a collection of R&B love letters conveniently released on Valentine’s Day, was a commercial success led by its almost chart-topping single, “Yummy.” Still, there was much to prove. Spend a week wit your boy Ill be calling you my girlfriend.This time a year ago, Justin Bieber was preparing to take his then-latest album on the road for a three-month string of stadium shows, covering venues along the east and west coasts, the South, the Midwest, and big cities in Quebec and Ontario. So give me a chance, cause youre all I need girl. If I was your boyfriend, Id never let you go, Id never let you go. I can be a gentleman, anything you want.
That we’d begin to hear in the fall. Justin Bieber, who’d already planned on being active all summer, got right back to work, sharing studio updates on new songs in April and cutting tracks in L.A. Records like folklore and How I’m Feeling Now addressed the sudden, unplanned claustrophobia.
Justin Bieber Boyfriend Song Without Words Series Justin Bieber
And a stated goal of creating awareness about social-justice issues relevant to the times. It’s smokier now, and Bieber can sense this, because Justice, the product of those West Coast recording sessions last summer, arrived last week with fragments of speeches from Martin Luther King Jr. Mixed reviews for Chance the Rapper’s monogamy-centric album The Big Day and the minting of a new type of guy whose entire personality seems to revolve around expressing his being married, coupled with contempt for edgy Evangelicals exacerbated in part by the community’s proximity to right-wing politics — as evidenced in the last year of Kanye West antics and also by scandal in Hillsong, the hip church Bieber left after its streetwear-loving pastor Carl Lentz was removed for nebulous reasons in the face of rumors of marital infidelity — have complicated perceptions of Christian pop stars. Watching the doleful “Lonely” video together on a couch, Bieber and his team reflect on their turbulent windfall: “If I could do it all over again, I would’ve had you in therapy day one,” Braun says.Steadying Bieber in this decade are commitments to faith, love, and therapy, though there are those who bristle at the married youth-pastor vibes he emanates now as much as the TMZ headlines of his bad-boy days. In late October, the YouTube documentary special Justin Bieber: Next Chapter, a follow-up to early 2020’s revelatory series Justin Bieber: Seasons, explained that the drug issues were worse than we thought, and at times, he’d seriously contemplated suicide.
It’s BTS’s “ Dynamite” it’s Megan Thee Stallion and Cardi B’s triumvirate of No. It’s bubbly, easygoing bops. Cut the intro and interlude, and you’ve got a smooth (if occasionally too smooth) album about the work love requires, the most mature thing in Bieber’s catalogue, and — for better or worse — as shrewd of a move to reposition himself at pop’s center as the EDM/R&B blends of Purpose.What’s pop’s core in the early 2020s? It’s mushy.
By the time you get there, though, you’ve already heard ten songs, and pinged and ponged between major- and minor-key guitar and piano hooks that sometimes lead to impressive choruses but sometimes seem content to swim in the gravitas of a moody series of chords. During the adventurous stretch between “Ghost” and “Loved by You,” the album zips through synth-pop, Soulection-esque funk, dancehall-tinged EDM, and rock-infused Afrobeats. The more chances Justice takes, the better the payoffs. It’s also worth asking why, when it comes to Grammy contention, Justin’s “Yummy” and Post Malone’s “Better Now” are pop songs, but Drake’s “Laugh Now Cry Later” and Roddy Ricch’s “The Box,” equally melodic tracks sung in speedy cadences over trap drums, aren’t.) Justice dabbles smartly and intently and expands the singer’s horizons at the cost of pacing and sequencing issues and a little too much filler.Bieber sounds better adjusted than ever, but the music he’s made this time feels a little reserved. (Bieber bristling at Changes being nominated in pop categories at the Grammys reveals a deliberate intent when it comes to genre.
“Die for You,” featuring Florida polymath Dominic Fike, slips slyly between segments recalling Michael Jackon’s “Beat It” and Police hits like “Don’t Stand So Close to Me.” “Hold On” and “Somebody” revisit New Wave’s metamorphosis into sophisticated adult contemporary pop. What’s most notable about Justice is the ’80s pop-rock aesthetic. “Ghost” breaks unexpectedly into an acoustic singalong in the middle “Lonely” is just keyboards and feels.
The melodies he’s singing now are adventurous and assured, tiny monkey-bar workouts for his breathy tone and smooth falsetto. Dancehall veteran BEAM steals the show on “Love You Different.” Long Beach singer Giveon sings sweetly on “Peaches.” (Are these appearances on this hotly anticipated mainstream release a bit of transactional mirth, trading cool points for guaranteed exposure in a North American pop field of play, where an international superstar like Burna isn’t yet the Billboard Hot 100 force he deserves to be? Are these cultural exchanges part of Justice’s mission? Who can say?)Consistent amid the hairpin shifts in style that Justice throws the listener from song to song are Bieber’s slick vocals and earnest, honest lyricism. Burna Boy is a joy on “Loved by You,” where Skrillex again laces the African giant. Many of these retro genre jams are fun enough to excuse the obviousness of their antecedents, though some aren’t, but Bieber makes damn sure to bring a few experienced artists along the further out from pure pop he ventures. Justice struggles a little with the first bit but minds the second.
“I’m praying that I don’t go back to who I was,” Bieber sings on “Deserve You.” “I wish that I could change myself,” he muses in the chorus of “Loved by You.
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